plot s 4th release, >casa acido<ť (free translation for acid house), comes by the hands of 2 renowned finnish artists, zentex and jussy-peka! it s a great ep composed by 3 very solid tracks reaching out to very different emotions. in zentex original there is growing tension supported on a wobbly fat sexy bass. >lena<ť is packed with emotion. a silent hiss and cruising episodic elements transport you to a very dynamic scenario. jussy-peka remix is anamazing dance floor track! hedefines it as a modern acid trance remix!

stunning breaks re edit of the beatles classic!!! includes mixes by a skillz, bass nectar and backstage sluts

supported by alex attias (planet e), italoboyz, karotte, sebo k, raresh, d julz, funk d void. michael melchner is barely at the beginning of his twenties. at the moment deep house of the late nineties has to take a shine to him. in the detail it gets clear, that this is not only a copy of an epoch, but a certain vibe, which is going to be transferred into the present. this vibe with his warm sound, the well dosed house beats and a strong musical sense is hearable, but this sounds by no means antiquated. on a-side several instruments like percussions, xylophone and samples of an mexican trumpet make sure that there isn’t only an exiting variety shortly before or after the primetime, but also a proper portion of itchy feet. with the both tracks on the flip-side the whole spectrum of michael melchner becomes clear, at the one hand a clear view on the dance floor with classical house beats and on the other hand a musical character, which one misses in many current productions. >chen chen< is slightly more co plicated and more rhythmic whilst >nothing happened< is a pleasing leaned back dramaturgical subtle house piece with a distinctive bass line and interspersed voice samples.

funny a side!! the danish scene has evolved a lot over the last years, with acts like trentemøller, martinez and whomadewho. the new label tartelet records is rising from the horizon of the copenhagen club culture. tartelet records is founded by fredski (the man behind the greatest copenhagen parties ) and tomboy (aka tomas barfod, dj, producer and drummer of whomadewho, with previous releases on turbo, kitsuné , get physical and gomma). the two founders themselves are also behind this first tartelet release, which is a true showcase of what the label stands for: tech-house with multiple flavors like ghetto, funk, disco and a bit world. the a-side ‘do the tartelet’ is a schizophrenic yet effect full combination of sampled horn-madness, hand claps and techno bass. on the flip side ‘cereal’ sounds as if james holden and paul jonson were trying to make minimal house together. the future releases from tartelet promise remixes from world-league remixers (tba) and tracks by danish kleshmer-techno-reggae band analogik do the tartelet

two of italys finest young producers serve up a new dose of minimal class. andrea roma & alberto fracasso reform under their own names after the success of their guise >delv & debox<, this time bringing fresh influences of chillout and hints of techno to a proven formula. first track >duracell< has a warm minimal groove with all the beeps and bass notes to keep dance floors rolling. up next is aptly named, >energizer<. this track throws in dirty and gritty influences, and is the perfrect compliment to the minimal offering on side a. the icing on the cake comes in the form of >volta<, a twisted yet melodic thumping track.

deleta aka dj bazooka is the label boss of this new dubstep label catering to the darker, harder side of dubstep. bazooka is also behind berlins most ferocious and unapologetic drum n bass label aural carnage. with an almost vampiric hunger for the tastes of hip hop, ragga, jungle, metal, reggae, dub and graffiti deleta has spawned nothing but gut wrenching and unforgettable tracks

great remix package for threeminutes featuring grammy winning jazz vocal legend and last standing beatnick mark murphy on mic duty. madrid de los austrias deliver in fine style with a superb quirky house mix while the great prolific quantic adds some b boy minded dope jazz beats. dublex inc rework applies some fat electronic boogie beats and fake fellini rounds up this nice package with a bass heavy 4/4 take.

nice price deal !!! more dark, brooding, bass laden breaks form the transverse crew, if you like your breaks tough the white papoo has got you covered!

poussez is the electronic bastard child of london based producer, dj duo jafar and maxime cescau. established artists and record label directors in their own right?.. jafar of course popping up on a few of our previous releases. poussez brings the pair blasting through to house musics cutting edge in the 21st century. the pair are continuing to change the deep house formula in the zeroes marrying a more melodic sensibility with the abrasiveness of electro, darkness of minimal and dancefloor punch of techno. natural conditions is deeper than the proverbial abyss, >natural conditions< rocks a skankin square-bass around the sort of synths freeranges >square one< has become renowned for. 4am crowd grabbing deepness!on the flip, from its opening synths, deliciously washing over you like an incoming electronic tidal wave, >tell me how you do< grabs the listeners attention. it has that timeless mid 90s deep house feel without being outmoded and, for those paying attention, will be noted as poussezs trademark opening track on their live sets

viral breaks bring something different to the label in the form chaotic pulse?s >eternal night<. the a side is a techy dancefloor drum n bass killa. powerful bass driven drums and lashing snares are brought together with mutating synthetic bass, that will drive the dancing crew crazy. the aa sees the remix from phat riders

straight up bent techno. a fierce jacking groove with an outrageous sub-bass element and awesome live drumming. this one has echoes of funky industrial stuff like nitzer ebb but is 100% of the moment.

pumpin electrohouse anthem, already supported by switch, justice, pete tong, judge jules, junior sanchez and many more... uk release

new full length from seminal industrial band meat beat manifesto (aka mbm). led by sound sculptor and producer extraordinaire jack dangers, mbm is continually evolving. its tenth album pushes musical boundaries further than it has before, creating a masterpiece of electronica and dubstep. meat beat manifestos constantly evolving musical invention has generated a long string of influential futuristic classics, including such tracks as god o.d., psyche out, helter skelter, radio babylon, edge of no control and its the music. the single, prime audio soup (from the album actual sounds and voices) was featured in the sci fi fantasy blockbuster the matrix and on its platinum selling soundtrack.

get ready for the second part of the fresh-kicks series! at this time oscar gets support from the amazing blood & tears (remember >run with the bullet<)! furhter support comes from stephan bodzin, lars sommerrfeld, kolombo

big ep from this hot producer duo!! incl remixes by marc depulse & nils nilson.. further support comes from monoroom, denis karimani aka remute, solomun, helmut dubnitzky, mollono.bass, pawas, el farouki and daniel fx. typisch ostwind ! warm, deep und immer mit den nötigen druck, damit man nicht zum sesselfurzer wird.

killer modern house from depths of deep space. adam marshalls original mix takes swinging chicago drums and paints them a dark black, while chord stabs morph and evolve in a tough, organic style on this 11-minute journey. mike shannons impressive re-working tightens everything up and funks the hell out of the groove with sizzling dry hats, sub-bass ruminations, and one serious breakdown. one of his best remixes yet by far. both are serious club killers

opener >playing for keeps< is an exhilarating trip, centered around a swinging mapped by crunching beats. chopped and skewed, pulsing electro house melodies fight for attention with sampled cuts of big band, tiring to a slow and heavy halt before picking themselves up and punching it out to close. >playing for daddy’s girl< is an equally agitated reprise, introducing distorted 8-bit melodic tones and a throbbing deep bass into the fray as a sampled audience cheers on the ensuing battle for the listeners attention. on the b side, the mole transforms >playing for keeps< into a driving house number, with subtly escalating melodic synth growing into a deep and hypnotic dark electro sweat fest

after a short hiatus, stanton warriors punks imprint returns to the fore with a thumping double a side release featuring two remixes of tracks from their award winning debut album lost files. remix treatment by bass kleph and alex metric & sick rick (whatwhatwhat)!!!

house music to put a spring in yer step.. bloc rockin chunky beats, stomach churning bass and melodic hooky electronica make up the basis of the line ep. all of which make this a must have, for every djs box!!

electro monster treated by john dahlback and sidekick. fat bass lines & a massive break will do the trick for sure.

nice price deal !!! art bleek is a name thats been doing the rounds for a few years now. the paris based producer never fails to live up to expectations whether it be deep minimal housers, downtempo jazzed-out loungers, broken beat or straight up hip hop, versatility is the mans game. hes recorded for labels such as rush hour & loungin and now for sick trumpet he brings californian vocalist charlie sputnik along to make the french connection. first up is all night, a mid-tempo nu-jazz shuffler that glides between broken beat and house with a killa groove, walkin bass lines, vocal hooks and scats a plenty from mr sputnik. support already from domu with plays on his 1xtra show zed bias takes the track and turns it into a new jersey house bumper with that added biaspheric twist weve all come to expect - big ! on the flip we have brothers & sisters, an electronic influenced houser with a bassline bigger than the eiffel tower and slicker than platini. with charlie sputnik again on vocals he provides the perfect narrative & melody to this dancefloor smasher ! the dub mix of this is something else…..anyone for dubstep electonica ? check

pure hypnotic dope ! the 12inch opens with a blast of superlative dancefloor funk, >u can get sonar<. its immediately obvious that this track is the creation of someone who knows - as a fan, dj, record-seller and musician - what works on the dancefloor, what sounds good, and has endeavoured to make his record satisfy us on all counts. carried along by an unbelievably buoyant bassline, purring, deep house-style chords and crystalline percussion, the track climaxes in waves of synthesized strings. >upad aah< is a vivacious, skippy dancefloor track, its constituent bass and drum elements rounded and smoothed for maximum bounce, sharp, pressurized snares provide a glorious counterpoint, as quasi-tribal percussion, and airy african female vocals are layered over the top. the result is fresh, powerful and eminently danceable. >persuasion< is a deep, swinging club track. once again that warm bass is at the forefront, with clipped yet languid chords building melody around it as

andrés first release for simple records >wanna feel< is all about the resonant, hypnotic bassline that steadily opens out to reveal more layers of harmony. little sounds and licks of melody dance around the bass whilst strings and stabs build the hook into one big crescendo. brooks melancholic strings, cleverly cut up the bassline and an eerie soundscape pushes the vibe of the original into a darker more sinister techno place….this is the lights out, heads down, touch me in the dark kind of groove that we love! finally >move< is an absorbing and patient deep house gem. plunging into a backdrop of prodded keys that subtly shift in shape and tone, a central synth melody climbs to euphoric climax before retiring back to waves of throbbing bass and rolling percussive loops

first release on brandnew hardcore labels lso (leipe shit ouwe) records, founded by champ e on and skuffa. this release is already being played by buzz fuzz, bass d, dano...

electric minds present gatto fritto for their 3rd release. a talented musician and producer from north london, he has been steadily building a reputation through his releases on london based dissident. extending his repertoire further he brings another quality production to electric minds. the a side bursting the bubble is a nine minute jam with quirky sync samples, heavy bass and a change in direction half way through the track which is becoming a trade mark of gatto frittos productions. the b side radio b-92 did not make its place on the first electric minds release as planned, so they were delighted to have been able to include it here. it is a sync rich track taking inspiration from new yorks 80s electro scene, a perfect compliment to what is already a very strong 12inch release. house heads as well as the cosmic fans will appreciate both productions

this new metroline 3-tracker is a true piece of carefully selected art. the boys from rotterdam create a sound that combines the old with the new. detroit flavours meet up with darker, throbbing bass and mysterious melody! supported by patric skoog aka agaric, anderson noise, par grindvik and alexander koning..special backstock

the 4th release on the label sees whistla wearing his 2-step influences proud with 2 tracks of off kilter garage beats, heaven oozes swing and groove. the bass line bubbles around a twisted vocal line whipping any listener into a frenzy which will see them swiveling across any dancefloor, studio or bedroom

welcome to the deepest nightmare of pulshar, welcome to nospheratus territory. an unforgettable trip into the darkest side of the bands soul, inspired by the cult movie nospheratu, this is one of the greatest dub and melancholic tracks of the year. a trippy bass and envolving melodies for an instant bloody dub joy. rod modell and steven hitchell take the controls on the b side and produce one of their best reworks yet under their echospace alias. they have reduced the original track to a deep and emotional piece. a majestic cavalcade into dub techno, a composition full of rich textures which remind of a cloudy day in detroit city, accompanied by a subtle conga that kicks off from the middle of nowhere and turns out really smooth, deep & dark. a little different than the material from their album on modern love, more reduced into the deepchord sound, a little more scaled back

mark e now returns to running back for another ep of original productions. and what a return it is! staying in his lovely kind of irresistible grooves between low slung bass and rattling snares, mark delivers three tracks of pure dance floor bliss. first off, we have slave 1 with its burning slow motion build up and a hookline that will not leave your head for at least a week. the flip of the medal, sees pulse friction giving off a warm synthesizer shower for what seems like an hour. finally, the incredibly bouncy human tightens the thumbscrew and should even make the ruffy and tuffy minded happy. our dear friends dixon from shocking innervisions and gilb r from rocking versatile are already in love with it, so please do not even try to resist. e is for ecstasy!

bassline garage version of the ragga toxic that was around last year

mo rotation is the next step in the history of westpark units 80s funk influences they started with blaxrotation and fits well within the sound of today! always sexy, dope, deep & dubby. proper thang is as deep as jeep and builds up in the typical westpark unit style with some demanding but tricky drumpatterns and a wicked bassline. to surprise, the duo added some old school snippets into the drop, put them into a different context and present a jewel of a bangin deep house tune with one of the most enthusiastic moments when the beats come back in. mo rotation sets up with just some shakers, a demanding percussion loop, a booming bass and needs almost 5 minutes to get things started. when the bassdrum finally drops in, the club is already near ecstasy while the music takes a small step from 1983 to 2008 and a deep masterpiece

for the new album, liars and prayers, thalia has expanded upon her touring band of the last few years of daniel coughlin (drums) and david curry (viola, trumpet) to fill out the sound with the bass and piano of winston braman (consonant, sherperdess, fuzzy) and mel lederman (victory at sea). liars and prayers is the masterwork of her thus far impressive career. her voice and songs have never been stronger and the full band and the recording by andrew schneider (unsane, cave in) allows her to combine the delicacy of the arrangements of her trio with the force that was her band come. the very moving body memory is a poignant example of this perfect synthesis.

the sword is a colossal, high energy powerhouse. utilizing a potent combination of intense songwriting chemistry, eye opening creativity and talent and a distinctly unique vision, the sword is, without question, one of heavy musics most electrifying new bands. more ambitious, more accomplished and simply bigger, gods of the earths huge, mountaintop friendly hooks, thunderous drumming and oceanic bass lines cut through the air like a scythe, while the ominous vocals of frontman j.d. cronise weave fantastical tales rife with myth and mythology. waves of powerful riffs and low end thunder dominate songs. this is a must for fans of all things heavy!

geo records are proud to release the debut ep from raf and o has the air gone walking. the ep is on shiny 10inch vinyl and features four tracks ? sky, cycad, 7 blue and squeezebox. all haunting vocals, shimmering electronics, throbbing bass and glitchy grooves ? its the sound of a three way musical and sonic collision ? informed by a pop sensibility married to an experimental spirit. it marks a relaunch for geo ? the label mainly so far a home for melodectronic space commander gagarin whose several geo releases have garnered largescale critical acclaim across europe. the ep is the first release in a programme of regular eps and albums throughout 2008. has the air gone walking is a taste of whats to come from the debut raf and o album due later this year. raf and o will be undertaking a series of gigs through the spring in support of the album as well as a live session on resonance fm.

next hypnotic minimal tech monster , for fans of luciano & ricardo villalobos

shroombab, formerly known as austrias first lady of drum n bass according to knowledge mag, delivers here one of the most erotic and kinky tunes you ve ever heard. you ll be ashamed of the wet dreams occurring while listening to this! speshal!

nice price deal !!! brutal traxx is a brand new label for 2008 focusing on the heavy, dance floor side of dubstep, bassline & breaks! first up is chae style, the mellowest of the first 2 tracks but still dancefloor friendly, its all about the oldskool flava blended with new production techniques and q & a basslines! the flipside is called trippin, a hypnotic blend of synth and bass with an energetic arrangement and enough tricks in it

war is a hypnotising roller characterised by its deep synth, subtle percussion and deep bass. the track sets a perfect dubby and melodic atmosphere. the flipside hosts gaijin, a high voltage track with a perfect harmony between the smooth progressive bassline and aggressive stabs. watch out! these tracks will rock the dancefloors over the world.

the enigmatic bulletdodge brings forth their debut release by up and coming glasgow dj/producers loweck, glasgows well known remixer electro voodoo and chicago house legend gene hunt. the >misdirection ep< is an exciting release that conveys vibrant techno magic. the first track to dawn the wax is lowecks original mix, which is a certain floor filler that drives with a dark bassline and explodes with an exciting arpeggio that will cause a frenzy on any dancefloor. track two is electro voodoos mix which is a more deep dubby mix that delivers a more layed back intelligent techno feel. the e.p. culminates with gene hunts mix which, fuses the essence of the original mix with a sub bass line and minimal bleepy effects to create a killer remix. the e.p. has been supported by terrence dixon and k alexi and is set to be a great success in 2008!

played by richie hawtin!! big tune !! dirka dirka aka dave shokh and tony rohr move over to tora after their dipolter experiences. >stretch out< is the 2008 monster. huge bass response kicks us off. neatly tucked edits+samples broaden the scope. the floor begins to fall....take it from there. >red balls< funky and tight just like it should be. jackin groove with some voice manipulations. tight indeed! and hot.

dj support by : 2000 and one, karotte, james flavour, tobi neumann.... after already four strong 12inches on audiomatique we proudly welcome back robert babicz with his fifth audiomatique release: >dark flower< is a shiny groover accompanied y a beautiful remix from rotterdam based techno-veteran joris voorn. the a-side features two new tracks by robert, >dark flower< & >spiralboogie<. >dark flower< showcases roberts typical handwriting: a dry, but funky groove construct with melancolic and deep synths while some highly seductive bass slaps create this very special babicz feeling. >spiralboogie< spreads its magic on a2. slowly building, having the funk in the trunk and fully focussed on simple, but reliable qualities. forward ever, backwards never. the flipside holds our chefs suggestion: an extraordinary joris voorn remix of >dark flower< which already stirred a huge buzz when steve bug tested it on his recent japan-tour or robert played it out in brasil last month. joris voorns mix perfectly combines floating harmonies with a thrilling drive. simply irresistible

incl 10 stck 12inch vinyls: deadmau5 - not exactly *remixes, lissan & stills - wings, northern lite - im so glad, novy & bahil - fluxkompensator, bee gees - if i cant have you, king roc - communique ep, nudisco - aji cito, hatzler - quarterpounder, cristian paduraru - equipping education *remixes , azzido da bass - dooms night 2008

samuel rouanet aka reynold aka duplex 100 (together with phil stumpf) also boss of trenton is releasing here his first full ep on his own label. after a year of serious boredom when it comes to techno music and especially what is the so called >minimal< sound, he decided to release what is his own vision of dance music. >poison in my mind< has a strong bass line and triplets chords that drives you while the melody comes in and out. >blue steel< is more of an old school anthem with strings and detroit vibes. >craft<“ is what reynold does the best, electro deep cinematographic tune, close to the work he did on persona with his >my favorite film< album. >like it or leave it

following the escape from chaos here comes second release of the brand new phonic platform bauns. after the success of the debut ep, the duo composed by gianni pellecchia and maurizio vitiello release bauns 02. the deep woody beats, the massive bass line and the filtered voice of banus, on the long side, make it an optimal element given by gianni pellecchia, for increasing the pressure

energie in bestform is glad to release the producer and dj tobias lützenkirchen. actually well known with admirable releases on labels like great stuff, blu fin, selected works and his own label platform b. the main track is called >afterhour is the pusher< and will - we guarantee that - not only >push< in the afterhour .... the bonus track >ketron< will turn every dance club - with its forward-pressing bass rhythms - into a tropical drum jungle. the two >afterhour is the pusher< remixes of flea and baby chris complete the record!

uk beat futurist delivers an explosive release that covers a wide spectrum of his signature sound: dub bleeps, modulating synths & smooth drum programming are sure to turn heads. bass fueled remix from dutch producer dogdaze

uks ben wijay starts canute music, a sub-label of phreakin recordings displaying his more adventurous techno and tougher house music concoctions. bringing a slightly harder feel than the phreakin output, but remaining left of centre with quirky melodies groovy percussion. >poisoned potato< starts in dark techno waters with a deep acid bass line, then blossoms into almost border community territory with anthemic distorted chords and quirky breakdowns.>feke< delves deeper with an arrangement that goes from hauntingly minimal into an aggressive staccato riff, then morphing back into itself with deeper melodies. definitely aimed at the 3am dance-floor and will appeal to lovers of the detroit techno sound through to the more obscure villalobos territory. gathering big support from the likes of charles webster, john aquaviva, aldrin and mixmags >house single of the month< (feb 08)

newcomer olivierdaysoul stroke hard with his >soul4u< joint for 4lux. taken from his upcoming 4lux album >kilowatt< is this sick tune >brain<, a dirty slo-mo headnodder with slammin beats, fat?ass wobbly minimoog bass and spacey 80s synths. produced by gerd and paulo for 4lux recordings. oliviers vocals are off the wall. remember to party because b for you know it the cops come put the cuffs on you! potion no. 9 is a sexy dancer. hip hop producer the unknown on the music, gerd fiddling the knobs & mr. daysoul himself in >smooth operator< mode... so ladies watch out!

ultraphat hardtechno re-edit of dk8s >murder was the bass<